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1.
('The Floating Boy', Max Thomas) Astronauts and firemen, He picks at dreams and plays. Ageing steals his oxygen, Until his dreams turn grey. Smooth skin with a bubbling grin, He sleeps to father’s voice. Shaving scabs and drunk kebabs, A booming, looming choice. A woodland path that moves so fast, The trees grow as he floats. Floating on, trees bar the past, A bubble blocks his throat. Tumbling through the leaves he grasps and desperately clings. The lack of air it makes him gasp, If only he had wings. The branches slowly drag him down, Until his feet are stuck on ground. A poem of a boy began, Blink for too long, the boy’s a man.
2.
('A Girl', Michael Field) A Girl, Her soul a deep-wave pearl Dim, lucent of all lovely mysteries; A face flowered for heart’s ease, A brow’s grace soft as seas Seen through faint forest-trees: A mouth, the lips apart, Like aspen-leaflets trembling in the breeze From her tempestuous heart. Such: and our souls so knit, I leave a page half-writ — The work begun Will be to heaven’s conception done, If she come to it.
3.
('Last Hope', Paul Verlaine, trans. Norman R. Shapiro) Beside a humble stone, a tree Floats in the cemetery’s air, Not planted in memoriam there, But growing wild, uncultured, free.   A bird comes perching there to sing, Winter and summer, proffering Its faithful song—sad, bittersweet. That tree, that bird are you and I:   You, memory; absence, me, that tide And time record. Ah, by your side To live again, undying! Aye,   To live again! But ma petite, Now nothingness, cold, owns my flesh. . . Will your love keep my memory fresh?
4.
My Triumph 08:31
('My Triumph', John Greenleaf Whittier) The autumn-time has come; On woods that dream of bloom, And over purpling vines, The low sun fainter shines. The aster-flower is failing, The hazel’s gold is paling; Yet overhead more near The eternal stars appear! O living friends who love me! O dear ones gone above me! Careless of other fame, I leave to you my name. Hide it from idle praises, Save it from evil phrases: Why, when dear lips that spake it Are dumb, should strangers wake it? Let the thick curtain fall; I better know than all How little I have gained, How vast the unattained. Others shall sing the song, Others shall right the wrong,— Finish what I begin, And all I fail of win. What matter, I or they? Mine or another’s day, So the right word be said And life the sweeter made? Overhead more near The eternal stars appear!

about

The Floating Boy is a suite for big band and voices, journeying through the hopes, sorrows and joys of growing up.

In the first part (text: ‘The Floating Boy’, Max Thomas), a boy faces up to his future, toying between his childhood desires and the increasing realism of adulthood: ‘He picks at dreams and plays / Until his dreams turn grey.’ On becoming a young man (‘A Girl’, Michael Field), he finds himself in love, and hopes to be loved back.

From here, the narrative fast-forwards to a point of desperation (‘Last Hope’, Paul Verlaine trans. Norman R. Shapiro). Towards the end of his life, the man sits at the grave of his lover, mourning. In his distress, he finally asks: ‘Will your love keep my memory fresh?’

At the suite’s conclusion (‘My Triumph’, John Greenleaf Whittier), the man reflects on his life in his final days, full of reminiscence, regret and acceptance.

credits

released February 4, 2021

Recorded live in concert at Magdalen Auditorium, Oxford, June 2019.
Composer: Harry Baker
Performers: Oxford University Jazz Orchestra, The Oxford Gargoyles
Sound Engineer: Will Biggs
Album Artwork: Nick Budd

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about

Harry Baker London, UK

Harry Baker is an award-winning improvising pianist and composer active in jazz, classical and new-music settings.

His music has been featured on Jazz FM and BBC Radio 3 with Sheku Kanneh-Mason, and his compositions recorded by the National Youth Choirs of Great Britain on NMC Recordings.

(Photo by Emma Werner)
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